You can now sequence MIDI parts to your heart's content, manipulate them with powerful editing facilities, then add a number of channels of audio material, which can be EQ'd, effected, and mixed - all within your Power Mac, with no need for an audio recording card, or external effects or EQ. In short, it takes the sophisticated MIDI sequencing of Cubase, plus most of the audio recording and editing facilities of Cubase Audio XT (excepting Digidesign TDM support), and adds comprehensive parametric EQ and four virtual effects processors - reverb, chorus, autopanner, and stereo delay. So does VST simply bring audio recording to the parts of the Cubase range which didn't previously have it? As welcome as that would be, given that the price has remained the same, VST actually adds more. Anyone buying Cubase for the Power Mac now buys VST, an audio and MIDI sequencer which exploits this machine's 16‑bit audio capabilities, though for those who don't want audio or don't have a Power Mac, there's a non‑ VST disk set too. And with the launch of Steinberg's VST (Virtual Studio Technology) for Power Macs, audio now figures even in the standard Power Mac version of Cubase and Cubase Score, as well as in Cubase Audio. Opcode's Vision, formerly a MIDI‑only sequencer, now features audio, though in a more basic form than the company's own flagship, Studio Vision Pro. Recently, however, audio has started to establish itself as standard even on lower‑cost software. When audio was introduced to MIDI sequencers, it was seen as a premium addition for top‑of‑the range packages. Software sequencers are in a state of transition. Is this the perfect desktop recording environment? Derek Johnson & Debbie Poyser find out. ![]() This year's show‑stealer at Frankfurt's Musik Messe, Steinberg's Cubase VST isn't just another 'MIDI plus Audio' sequencer - it adds the effects and processing options hitherto only available in expensive TDM systems, for the same price as the previous, non‑audio version of Cubase.
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